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Artūras Barysas-Baras (1954-2005) was an amateur Lithuanian filmmaker and underground rock singer. His main hobby was collecting old and rare books, magazines, vinyl discs, and other things. He was the lead singer with the underground group Ir Visa Tai, Kas Yra Gražu, Yra Gražu (And all of that that is Beautiful is Beautiful). Barysas-Baras became known and recognisable because of his extravagant behaviour and dress. According to Gaigalas, he liked to be the centre of attention, and that is why he was provocative in his behaviour and in his films. He exploited two particular situations in order to escape persecution by the regime. First of all, his father was an employee of the Soviet Lithuanian Council of Ministers. Secondly, he was short-sighted, and so had the status of an invalid. For this, the repressive structures could not blame him for being an unemployed hippie, which allowed him to behave provocatively. Nevertheless, after making the film Jos meilė (Her Love) and showing it at a republic amateur film festival (according to Gaigalas, at the all-Union festival in Bryansk, as well), Barysas-Baras was disqualified from film festivals and was banned from showing films for one year. As he himself recalled, that made him very angry. As he argued, it was the first and only case in all-Union amateur film history that someone was disqualified. In the same year, he made the film Jo ieško (He is under Surveillance) which was, in his own estimation, his best film.

Jana M. Bauerová was born in Dačice in 1980 and spent her childhood in Stará Říše in the neighborhood of the Jirous family. She graduated from business school in Jihlava. She works as an archivist at the Libri Prohibiti library, where she is responsible for the estate of Ivan Martin Jirous. In 2004, together with Františka Jirousová, she established the literary group Catholic Decadence. In 2008 she published the poems Northerly Cross, and in 2018 she and Františka Jirousová published their dairy memories of Jirous entitled Mága.

Imre Baász (1941-1991) was a Transylvanian Hungarian graphic artist. Baász was born in Arad on February 22, 1941 to a family of Jewish descent. In 1972, he graduated from the Department of Graphics at the Ion Andreescu Fine Arts University of Cluj as a student of graphic artist László Feszt. At the request of the Kriterion Publisher, he made illustrations for the Kalevala as his thesis work, for which he was awarded the second prize of the Graphic Art Salon of Bucharest. He moved to Sfântu Gheorghe (Sepsiszentgyörgy) in 1977 and began to be active as a kind of one-man institution. He organized workshops in his atelier to introduce local artists and art lovers to modern ideas. As an artist, he mainly thought about the survival of the Hungarian minority living in Transylvania. His art is draws on Expressionist traditions, and it is related to Conceptualism and the action art. In 1981, Baász organized the exhibition “Medium I.” for international contemporary works. In 1986, he initiated the exhibition “Bird Action,” and in 1987-1988 he organized the exhibition “Drawing-Space-Form.” In 1990, he launched the AnnArt performance-days, which he organized until his death. In 1990, he began serving as the scenographer of the Hungarian theater in Cluj (Kolozsvár). In 1990-1991, he taught as a member of the faculty at the Academy of Fine Arts in Bucharest. In 1991, he organized the “Medium II” exhibition.