COURAGE

Підключення Колекцій

Архів Кропивницького є приватною колекцією документів, пов'язаних із діяльністю Київського інституту мистецтв у другій половині 1920-х. Ректор інституту — Іван Врона — призначив Мар'яна Кропивницького помічником Відділу досліджень експериментального візуального мистецтва, очолюваного ахудожником-авангардистом Казиміром Малевичем. Кропивницький був особистим помічиком Мелевича в 1928-1930 р.р Архів містить записи зустрічей, нотатки Кропивницького стосовно лекцій Малевича та копії неопублікованих лекцій Малевича. Оскільки архів інституту був знищений, колекція Коропивницького є, можливо, однією і містить документи про історію інституту в міжвоєнний період.

Through colour photographs and slides, the Alexandru Barnea private collection documents the demolitions imposed by the communist regime in the centre of Bucharest following the devastating earthquake of 1977, which served as a pretext for the destruction or mutilation of many historic monuments. The policy of demolishing the architectural and urbanistic heritage has been considered one of the most aberrant and arbitrary measures in the recent history of Romania. 

The Andrei Pandele private collection is the most significant testimony in pictures, mainly black and white, to the demolition of historic monuments and districts in the Romanian capital in the period of late communism. Together with photographs that are essential for the preservation of the memory of a mutilated city and a vanished cultural heritage, the collection also includes a series of images capturing aspects of the degradation everyday life throughout the profound crisis of the 1980s. These suggest both the absurdity of the policies of the Ceaușescu regime and the grotesque mutations in the everyday routine of ordinary people to which these policies gave rise.

András Kisfaludy’s collection suggests ways of interpreting retrospective gazes on the alternative culture of the socialist period. While Kisfaludy is the owner of a sizable private collection that concerns alternative and dissent culture of the era, he is more a creator than a collector of documents. During the late 1950s and early 1960s, he was a member of the famous youth gang called "Kalef" (in 2006, he made a film about the gang). From 1968 to 1971, he was the percussionist of the underground band "Kex.” Kisfaludy began to make documentary films on cultural opposition in the 1990s. The core of his oeuvre was done between the early 1990s and early 2000s.

The status of the collection is special because the rights of the movies belong exclusively to András Kisfaludy, so the collection exists only as a private collection. However, the majority of his films are accessible via Youtube.