авангард, неоавангард
альтернативні способи життя і повсякденний опір
будні андеграунду
витончені мистецтва
відмовники з міркувань совісті
візуальне мистецтво
демократична опозиція
еміграція/заслання
етнічні рухи
жертви переслідувань за авторитарними / тоталітарними режимами
жіночий рух захист навколишнього середовища критична наука
література та літературна критика масова медіа мистецтво
мирні рухи
молодіжна культурa музика нагляд народна культура
наукова критика національні рухи
незалежна журналістика неофіційна освітня і видавнича діяльність партійні дисиденти
правозахисний рух
релігійна активність
рухи меншин
самвидав і тамвидав соціальні рухи
студентський рух
театр і виконавське мистецтво філософські / теоретичні рухи
фільм
цензура
артефакти
відеозаписи
голосові записи
графіка
картини
меблі
музичні записи
мультфільми та карикатури обладнання
одяг пам'ятники предмети народного мистецтва
публікації рукописи
скульптури сіра література
фотографії
фільм
юридична та/або фінансова документація
інший
The Second Directorate of the Soviet Lithuanian KGB (Fond No 41)
The documents in the collection represent KGB activity in the sphere of counter-intelligence, persecuting various forms of expression of the anti-Soviet movement, as well as KGB work against what was understood as cultural opposition. Until the autumn of 1967 (when the 5th Department of the KGB was established), the 2ndDirectorate was responsible for counter-intelligence work in ideology. From 1967, its main direction was the security of state secrets. The KGB continued to use the 2nd Directorate to fight against dissidents and opposition, but it applied a new interpretation: the underground and expressions of nationalism were seen as a danger to state secrets.
The collection represents filmmakers in Soviet Lithuania who could escape Soviet censorship because they were not professionals, and therefore worked outside official structures. As a consequence, these artists were able to address sensitive social issues, and use avant-garde forms of expression that were forbidden in official contemporary cinematography.
The periodical “Student” was one of the most important magazines in socialist Yugoslavia. The magazine was published by students of Belgrade University and dealt with student problems as well as with broader social and political issues. It was often critical towards the regime and the communist party authorities, which resulted in its being banned several times. The collection is kept at the National and University Library in Belgrade.
Punk culture in the GDR developed its own language, music and aesthetics. These constituted an open provocation to the existing system, fostering the notion of breaking with the conformity of everyday life under the regime of state socialism. In contrast to their role models in the UK who championed the slogan "no future", punks in the GDR feared "too much future", or the uniformity of prescribed and pre-determined life trajectories. 'Substitut', a privately run agency in Berlin, houses the most extensive archival collection relating to punk culture in the GDR. The archive grew out of 'Substitut's' numerous projects, including the 'production' of exhibitions and release of music compilations and publications.