авангард, неоавангард
альтернативні способи життя і повсякденний опір
будні андеграунду
витончені мистецтва
відмовники з міркувань совісті
візуальне мистецтво
демократична опозиція
еміграція/заслання
етнічні рухи
жертви переслідувань за авторитарними / тоталітарними режимами
жіночий рух захист навколишнього середовища критична наука
література та літературна критика масова медіа мистецтво
мирні рухи
молодіжна культурa музика нагляд народна культура
наукова критика національні рухи
незалежна журналістика неофіційна освітня і видавнича діяльність партійні дисиденти
правозахисний рух
релігійна активність
рухи меншин
самвидав і тамвидав соціальні рухи
студентський рух
театр і виконавське мистецтво філософські / теоретичні рухи
фільм
цензура
артефакти
відеозаписи
голосові записи
графіка
картини
меблі
музичні записи
мультфільми та карикатури обладнання
одяг пам'ятники предмети народного мистецтва
публікації рукописи
скульптури сіра література
фотографії
фільм
юридична та/або фінансова документація
інший
The Museum of the History of Riga and Navigation often accepted donations in the 1960s, 1970s and 1980s, or it bought items and collections that could not be displayed in the museum’s permanent display but which had a historical and cultural value and were a testimony to pre-Soviet Latvia.
The collection shows the life, work and activities of the Lithuanian historian Rimantas Jasas (1929-2002). Jasas never called himself a dissident. Even after the collapse of the Soviet Union, he did not speak much about his involvement in underground (samizdat) literature, and saw himself only as a professional historian. The files in the collection show his close ties with the dissident movement, especially with the Soviet dissident and political prisoner Vytautas Skuodis (1929-2016). Jasas was involved with the samizdat journal Perspektyvos (Perspectives), the most highly thought-of publication by members of the intelligentsia.
The Roma Archive is the first digital collection devoted specifically to the Roma community in Bulgaria. Its aim is to show the history and memories of a people which have been invisible to the general Bulgarian public, and who are usually portrayed by the media in terms of deviant social and cultural behavior. The collection was created by the Balkan Society for Autobiography and Social Communication (BSASC). It includes numerous autobiographic interviews, rich visual materials, and a variety of other documents and images containing information on the Roma community in Bulgaria taken from Bulgarian State archives.
One of the main themes of the collection is the fate of the Roma minority under communism, during which it was subjected to frequent assimilation campaigns and when expressions of Roma culture was severely restricted. The collection aims to contribute to the democratization of historical knowledge, raising the profile of Bulgaria’s Roma community as well as increasing awareness within the community of the value of historical documents. At the same time, the ongoing process of building the collection itself contributes to overcoming ethnocentricity in Bulgaria’s education system. It strengthens intercultural dialogue and aids in the educational potential of Roma community members. The Roma Archive help makes the Roma more visible in Bulgarian society, education, and academia.
Rudolf Mihle (1937–2008) was one of the most important Czech amateur filmmakers. Some of his films were critical of the communist regime and society. Therefore, they were censored and could not be publicly screened. Mihle was an active member of the Czech Club of Amateur Filmmakers (Český klub kinoamatérů).
